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Albert Einstein

Esther Bubley (American, 1921–1998)

1953

Medium gelatin silver print Measurements H: 16 x W: 16 in. (40.6 x 40.6 cm) Credit Second Century Acquisition Fund Accession Number 2004.25 Location Not on View

Narrative

This image of Albert Einstein is from the Life story "Gift on a 74th Birthday," published on March 30, 1953. Yeshiva University was planning the Albert Einstein College of Medicine, and Einstein consented to a public birthday celebration as a fundraiser. On the day before the celebration, he agreed to a short photo session, and Life gave the assignment to Esther Bubley. Bubley thought that Einstein had consented to an entire day, so she was disappointed when he thought the session was over after only an hour. Once Einstein learned of the misunderstanding, he let her stay with him for the day; Bubley photographed him at home, in his office at Princeton, and at the fundraiser. This print shows him walking home from his office at Princeton. When the Life editors saw the image, they admonished Bubley for photographing him walking on the wrong side of the road. She countered with "Who am I to tell Einstein where to walk?"

Artist Bio

After attending Superior State Teachers College in Wisconsin from 1937 to 1938, Esther Bubley left her hometown of Superior in 1939 to study painting at the Minneapolis College of Art and Design, where she became interested in photography. In the late 1930s and early 1940s Bubley was influenced by the Farm Security Administration (FSA) photographs of the Depression that she saw in periodicals. After she moved to New York in 1940 to become a photographer, Edward Steichen helped her to obtain freelance work shooting still lifes for Vogue. Relocating to Washington, D.C., in 1941, she was employed as a microfilmer for the National Archives. Unhappy with the routine of that work, on her own time she photographed the capital preparing for war. Roy Stryker, head of the FSA photographers, saw these images and hired her as a darkroom technician.

With Stryker as a mentor, Bubley became a documentary photographer. By 1943 she was a staff photographer for the Office of War Information (OWI), the government agency that absorbed the photographic activities of the FSA. On assignment for the OWI, she took a six-week bus trip through the southern states. As Martha Hopkins, exhibit director at the Library of Congress, writes, Bubley "produced hundreds of images of a country in transition from the doldrums of the Great Depression to the fevered pace of war." In 1943, when Stryker left the federal government to direct Standard Oil of New Jersey's photographic project, he hired Bubley. She remained on the job until 1950, when Stryker left to head the Pittsburgh Photographic Library project and offered her a position. Like Bubley's other work, the Pittsburgh photographs show warmth and affection for the men, women, and children she depicted. She often worked in a photo-essay format, telling a story through a number of images.

In 1951 Bubley started freelancing for national magazines such as Life, Ladies' Home Journal, McCall's, Saturday Evening Post, Harper's Bazaar, Good Housekeeping, and U.S. Camera, as well as for the Encyclopedia Britannica. A New York City resident, she is particularly fond of photographing people in Central Park. As she once noted, "I like to do pictures of people."



Esther Bubley’s interest in photography began while she was still in high school. She first worked for Roy Stryker in 1942 as a darkroom technician in the Office of War Information in Washington, D.C. When Stryker was hired by Standard Oil of New Jersey for a documentary project, Bubley followed. She traveled all over the country photographing industry and its impact on ordinary people. She was adept at documenting the everyday experiences of men, women, and especially children, making herself disappear behind the camera to capture that single revealing instant that makes a photograph a compelling image.

As the first Pittsburgh Photographic Library (PPL) photographer, Bubley arrived in Pittsburgh in May 1950. Her assignment was to photograph the activities of the city’s Community Chest agencies in preparation for the People in Pictures exhibition at Carnegie Museum of Art the following October. In November 1951, just before he left the PPL, Roy Stryker asked Bubley to create a series of photographs at Children’s Hospital. She immersed herself in the experiences of sick children and their caring parents, producing one of her most important series of photographs.

During the 1950s, Bubley continued to work for Standard Oil, traveling the world to document the industrial environment and workers in Europe, Asia, Australia, and Central and South America. She also worked as a freelance photojournalist for Life and Ladies’ Home Journal, popular magazines that were primary sources of news and entertainment. Bubley resided in New York City.

—From exhibition text for Witness to the Fifties, 2005, by Linda Batis