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January 25June 29,
2003
Forum Gallery
Christian Jankowski, whose slightly mischievous works have appeared
in the Berlin Biennale (1999) and the Whitney Biennial (2002)
has made a new video work for Carnegie Museum of Art. The piece,
titled Puppet Conference, is a video record of interactions
that ostensibly take place at a "symposium," where famous
puppets have gathered to discuss the vocation, celebrity, and private
lives of puppets. Filmed at Carnegie Museum of Art, this conference,
brings together a panel that includes a number of internationally
known television puppets, including Grover from Sesame Street,
Fozzie Bear from the Muppet Show, and Mallory Lewis and Lamb
Chop, familiar to generations of viewers since her first appearance
with Shari Lewis on Captain Kangaroo in 1957. The panel also
includes Mr. Shelby from The Magic Woods, a new Pittsburgh-based
children's environmental education program. Art Cat, Carnegie Museum
of Art's mascot for family and children's activities, will serve
as the conference moderator.
In Puppet Conference, the puppets
discuss the intricate web of understanding and protocol
that defines a puppet's personal identity. Puppet
Conference has the appearance of a live-action video
that records words and actions as they occur. To create
the video, Jankowski collaborated with the puppets in
ways that permit the work to be faithful to each puppet's
public persona, yet allows for surprises and revelations
when the balance shifts from the planned to the unforeseen. Puppet
Conference will also include a brief slide history
of television puppets, narrated by Art Cat, and a cameo
appearance by Elmo from Sesame Street.
Programs
To mark the observance of National Day of Puppetry on Saturday,
April 26, 2003, Carnegie Museum of Art will offer free admission
to all puppets. Call 412.622.3131 for more information.
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March 1, 2003 May
25, 2003
The Heinz Architectural Center
This exhibition examines a lost landmark of modern architecture
and the extraordinary architect-client relationship that
produced the Windshield House. Richard Neutra designed this
summer home on Fishers Island, New York, for John Nicholas
Brown. Completed in 1938, the quintessentially modernist
house was Neutra's most significant residential building
outside of Los Angeles and his only design on the East Coast.
Named for its extensive glass exterior, the Windshield House
was appropriately appointed on the interior with Brown's
large collection of furniture by the Finnish designer Alvar
Aalto and two prefabricated Dymaxion bathrooms by Buckminster
Fuller. The house was destroyed by fire in 1973, but the
unusual collaboration between Neutra and his client is documented
in a wealth of surviving correspondence and sketches.
The exhibition includes architectural drawings, models, photographs,
furnishings and other design objects from the house, as well as correspondence
between the architect and client. This exhibition was organized by
the Harvard University Art Museums in collaboration with the Museum
of Art, Rhode Island School of Design, and the Harvard Design School.
Sponsored in part by the Graham Gund Exhibition Fund, Harvard University.
A catalogue, published by the Harvard Design School and Yale University
Press, accompanies the exhibition.
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March 1 May 25, 2003
The Heinz Architectural Center
On view concurrently with Windshield, TransModernity presents
completed projects and buildings by three Austrian
firmshenke un schreieck, Jabornegg & Pálffy,
and Riegler Riewewhose work represents the current
state in the century-long evolution of Modernism. As
one of the birthplaces of architectural Modernism and
a country with a rich and vital historic built environment,
Austria has always been an especially fertile site
for a negotiation between the pull of architectural
tradition and the push of modernity. And because the
urban fabric of Austrian cities is very dense, architectural
interventions, whether new construction, renovations,
or the design of interiors, have required a sensitivity
to the existing context. In TransModernity,
the featured firms take Modernism as a starting point
but are not bound by a limiting set of conventions.
The six projects in the exhibition (three university
buildings, a vocational school, a museum, and a bank)
are represented through drawings, photographs, and
a 32-foot video projection, which shows the interior
and exterior of each building, its urban context, and
its designers at work. TransModernity was initiated
by the Austrian Cultural Forum New York and organized
by the Architekurzentrum Wien (Vienna); the video piece
was produced by gangart, in Vienna. A catalogue in
English accompanies the show.
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March 20April 3, 2003
Hall of Sculpture
For 73 years, studio art classes for kids at Carnegie
Museum of Art have nurtured budding artists, including Andy Warhol,
Philip Pearlstein, and Raymond Saunders. Students in the current
program, the Art Connection, develop their artistic skills with
local artist-instructors and take part in special gallery talks,
tours, and discussion groups that expand and deepen their appreciation
of the visual arts. This year's exhibition showcases the work produced
by 5th- through 9th-grade students inspired by the creative environment
of the museum and its collections.
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April 1113, 2003
Various locations in the Museum
With more than 40 well-known and reputable
dealers from around the country, the Annual Antiques Show,
sponsored by the Women's Committee of Carnegie Museum of
Art, offers an excellent opportunity for the public to
view and purchase high-quality antiques. The show's preview
party will be held April 10 and internationally renowned
designer Mario Buatta will speak on April 11. For information,
call 412.622.3325.
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