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November 13, 2004 May
8, 2005
Scaife Works on Paper Gallery
The color woodblock
print has a long and illustrious history in Japan,
a history that culminated in the great landscape
prints of artists such as Utagawa Hiroshige in
the early nineteenth century. After the Imperial
government opened Japanese ports to the Western
world in 1868, the publication of color prints
declined but was revitalized in the early years
of the 20th century by artists inspired by a more
modern Japan, but a Japan with deep roots in native
tradition.
Kawase Hasui (18831957),
one of modern Japan's most important and prolific
printmakers, drew his inspiration from his native
landscape. Initially a painter and commercial illustrator,
Hasui came to printmaking when he was nearly 40
years old, but with a talent uniquely suited to
translating the landscape into print. Hasui was
a traditionalist, modest and self-effacing, devoted
to recording both the great monuments and the undiscovered
pleasures of Tokyo, Kyoto, and the Japanese countryside.
Hasui's landscapes portray a Japan quickly disappearing. In the early 20th
century, Japan was rapidly becoming westernized and modern. In the aftermath
of the devastating earthquake of 1923, Tokyo burned to the ground; the city
was rebuilt, only to be destroyed once more during the Allied firebombing of
1945. Hasui's home was destroyed both times, but nowhere are the effects of
such cataclysmic events evident in his art. In his prints, tranquility and
beauty reign, as though an idyllic Japan existed in his mind's eye, a Japan
immune to change, immutable in its purity. Hasui designed approximately 600
prints over a career that spanned some 40 forty years. Near the end of his
career in 1952, the Japanese government officially recognized Hasui for his
contribution to Japanese culture.
The prints in this exhibition are drawn from the museum's James B. Austin Collection
of Japanese prints and from a private Pittsburgh collection.
Oct. 9, 2004 Mar. 20, 2005
Visit the Carnegie International
web site.
Click here for an interview with this year's Carnegie Prize winner, Kutlug Ataman.
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