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September 12–October 22, 2006
Works on Paper Gallery
Henri Matisse created the colorful and joyous The Thousand and One
Nights, with its fanciful magic lamps, dancing plant forms, and hearts
at the age of 81, when he was too ill to paint comfortably at an easel. Working
in bed, Matisse cut out shapes from pre-painted paper with scissors. He then
directed his assistants to arrange the cutouts according to his instructions.
This design was inspired by the story of Scheherazade, the heroine of The
Arabian Nights. In the story, the Persian king, having been betrayed by
his wife, became so distraught he married a maiden each day and had her
beheaded the next morning. Scheherazade married the king, but saved herself
from death by distracting him with enthralling stories every night, reserving
the ending for the following evening, when she would begin a new tale.
The composition, with its colorful shapes and patterns, evokes the magical
quality of the heroine's storytelling and also the passage of time through the
night. The complex shapes are skillfully interwoven to create a spontaneous,
musical rhythm that captures the fascinating rapture of the story that inspired
it. This large paper cutout is a visitor favorite, but due to its fragile
nature, the work is only on view for a limited period of time each year.
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September 22–December 10, 2006
The Heinz Architectural Center
The West End Bridge is a major historic element in the Pittsburgh
cityscape, a key bridge in a city famed for its bridges. Linking the city's
Northside and West End neighborhoods, the bridge offers splendid views east to
Point State Park and downtown Pittsburgh and west across Brunot's Island and
the Ohio River. However, it is difficult for pedestrians and cyclists to access
and traverse the bridge in current circumstances. As part of the ongoing
development of the rivers and riverbanks in Pittsburgh, the Riverlife Task
Force organized a two-phase competition to improve pedestrian use of the
bridge.
More than 100 architects, engineers, landscape architects, urban designers,
artists, and students from around the world participated in the opening phase
of the competition. They were charged with envisioning creative approaches to
connect pedestrians, cyclists, boaters, and other users of all ages to both
shores of the river. The six design teams selected to continue in the
competition were asked to develop their proposals to strike a balance between
visionary ideas and practical design while respecting the historical
significance and structural grace of the existing bridge.
The exhibition presents the winning proposal-submitted by Endres Ware,
Architects and Engineers of Berkeley, California, collaborating with the
landscape architects Olin Partnership of Philadelphia-together with the other
five final stage proposals and five projects commended in the competition's
first stage.
The end of the competition launches a process that Riverlife hopes will build
on public and private partnerships to complete "the Loop" and make Three Rivers
Park a focal point in the life of the city while highlighting Pittsburgh's
existing resources and elevating access to our waterfronts.
Competition Winners:
1st Prize: Endres Ware, Berkeley, CA
2nd Prize: La Dallman Architects, Milwaukee, WI
3rd Prize: West 8, Rotterdam, The Netherlands
Final Round Competitors:
Bridgescape, Columbia, MD
Index Space Architecture, Miami, FL
Llonch + Vidalle Architecture, New York, NY and Buenos Aires, Argentina
Honorable Mentions from First Round:
4240 Architecture, Chicago, IL
Architecture Denver, Denver, CO
Claus Gade and Peter Leuchsenring, Hellerup, Denmark
David Roth, Pittsburgh, PA
Hiroyuki Futai, Nakano Tokyo, Japan
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October 14–January 15, 2007
Heinz Galleries
Louis Comfort Tiffany: Artist for the Ages presents 120
exquisite art objects by one of the most important decorative artists of the
early 20th century, Louis Comfort Tiffany (1848-1933). Son of Charles Tiffany,
founder of the renowned Fifth Avenue jewelry store, the younger Tiffany is best
known for his artistry in the glass medium as well as for the lavish interiors
he designed for the houses of some of the wealthiest American industrialists of
the period. The exhibition reveals the extraordinary range of Tiffany's
accomplishments and includes his signature art glass windows, lamps, mosaics,
metalwork, pottery, furniture, screens, paintings, jewelry, and objects d'art.
Tiffany's art and his life were filled with drama, color, and complexity. Born
into a family of great wealth, given all the advantages of the privileged in
education and travel, Tiffany was a perfectionist with a highly developed
aesthetic sensibility and a willingness to push materials to his expressive
ends. He directed a studio of highly accomplished artists who found seemingly
endless and inventive ways to express Tiffany's aesthetic goals. From the 1880s
to the 1920s, Tiffany's various companies earned him a revered status in the
United States and in Europe. His signature style bridged and transcended the
European avant-garde movements of the late 19th century. Taking the Aesthetic
Movement's pursuit of pure beauty, the Arts and Crafts reverence for the
handmade object, and Art Nouveau's celebration of forms derived from nature,
Tiffany created something uniquely American and wholly his own.
Louis Comfort Tiffany: Artist for the Ages was organized by Marilynn A. Johnson and Exhibitions International, NY. The exhibition is made possible
with generous support from the Tiffany & Co. Foundation.
The Pittsburgh presentation is supported by The Fellows of Carnegie Museum of
Art and the Henry L. Hillman Fund. Additional support has been provided by PNC
Wealth Management, the Commonwealth of Pennsylvania, The Mary Hillman Jennings
Foundation, the Laurel Foundation, and the Alexander C. and Tillie S. Speyer
Foundation.
General support for the museum's exhibition program is provided by The Heinz
Endowments, the Pennsylvania Council on the Arts, and Allegheny Regional Asset
District.
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October 14–June 17, 2007
Treasure Room
Tiffany Studios, directed by Louis Comfort Tiffany, produced bronze
desk sets in a variety of designs and finishes. This exhibition presents nine
desk sets that demonstrate the surprising number of objects that appeared on
the well-appointed desks of the socially prominent in the early 20th century.
General support for the exhibition program at Carnegie Museum of Art is provided by grants from the Heinz Endowments and the Pennsylvania Council on the Arts.
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October
27–January
15, 2007
Heinz Galleries C&D
Some of the best work of Pittsburgh regional artists will be on
display when the Associated Artists of Pittsburgh (AAP) hosts its 96th annual
exhibition in the museum’s Heinz Galleries. The event is the longest
running annually occurring exhibition of its kind in the United States. Each
year since 1910, the organization has invited its 500 member artists, who all
live within 150 miles of the city, to submit work for the show. Douglas Fogle,
Carnegie Museum of Art curator of contemporary art, juried the 2006 exhibition.
Fogle selected 87 works by 73 artists for presentation in the
exhibition. “The works I chose represent a wide cross-section of media
and employ equally divergent methods of engaging the audience,” Fogle
says. On view are paintings, watercolors, sculptures, ceramics, photographs,
videos, and works in mixed media and fiber.
“It is important for a city to foster a sense of community encouragement
at the level of the individual artist,” Fogle says. “This has been
the mission of AAP from its inception, and its annual exhibition has provided a
forum for its members to express their creativity in a public
setting.”
AAP has included among its members such well-known artists as Mary
Cassatt, Andy Warhol, John Kane, Philip Pearlstein and Malcolm Parcell, among
many others.
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November 4–February 11, 2007
Scaife Works on Paper Gallery
This year marks the 400th anniversary of Rembrandt's birth, and
Carnegie Museum of Art is celebrating with an exhibition of etchings from its
large and superlative collection of prints by the 17th-century master. Rembrandt's
Great Subjects will present 60 etchings that amply demonstrate the
artist's renowned skill as a printmaker and the evolution of his style over
three important decades, beginning with the 1630s.
On view will be works that represent the full range of Rembrandt's great
motifs: self-portraits, portraits, beggars, genre scenes, landscapes, myths,
and religious subjects. The exhibition also will explore the artist's role in
helping to shape or change perceptions of the different artistic genres. The
museum's extensive collection will allow viewers to compare prints from several
stages in the artist's career to fully appreciate the stylistic variation and
technical development of Rembrandt's incomparable skills. The exhibition will
include some of his most celebrated prints: Self-Portrait Leaning on a Stone
Sill, (1639); The Three Trees (1643); Christ Preaching (The
Hundred Guilder Print) (c. 1649), and Christ Crucified Between Two
Thieves (The Three Crosses), 4th state (c. 1660).
Generous support for the exhibition has been provided by Mellon Financial
Corporation.
General support for the museum's exhibition program is provided by The Heinz
Endowments, the Pennsylvania Council on the Arts, and Allegheny Regional Asset
District.
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December2, 2006–March
11,
2007
Forum Gallery
For more than 30 years, Jonathan Borofsky has been exploring archetypal figures through a variety of media—drawing, painting, installations, video, and large-scale public sculpture—to convey simple yet profound notions of human experience. On view in the Forum Gallery, Human Structures comprises hundreds of brightly colored, interlocking, acrylic male and female figures. This large-scale, site-specific work encourages viewers to walk around and through the installation.
General support for the exhibition program at Carnegie Museum of Art is provided by grants from the Heinz Endowments and the Pennsylvania Council on the Arts.
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