Since the 1960s,
Hanne Darboven has focused her art-making on daily "writings"
that chronicle existence and evoke the passage of time. The 2,782 typed
and hand-written daily writings or drawings that make up Leben, leben/Life,
living represent Darboven’s systematic approach to counting the years
1900 to 1999. These drawings make visible two orders of time: the actual
time taken to create them and the historical time that they summarize.
Darboven asserts the presentness of time by marking its passage in a
literal form that also takes up volumetric space when the writings are
installed in a large gallery.
The work also includes two dollhouses that
are part of Darboven’s extensive collection of popular artifacts. The
houses, photos of which are included in the installation, also mark time
as one represents a nineteenth-century German home and the other a house
from the 1950s.
Hanne Darboven, Leben, leben/Life,
living, 1997-98, 2,782 works on paper, 11 13/16 x 7 7/8 in. (30 x 20
cm) each; 32 photographs, 11 13/16 x 7 7/8 in. (30 x 20 cm) each; 2
dollhouses, installation dimensions variable (installation view)
Hanne Darboven, Leben, leben/Life,
living, 1997-98, 2,782 works on paper, 11 13/16 x 7 7/8 in. (30 x 20
cm) each; 32 photographs, 11 13/16 x 7 7/8 in. (30 x 20 cm) each; 2
dollhouses, installation dimensions variable (installation view) |
Hanne
Darboven has exhibited extensively for over thirty years, participating
in many important international exhibitions, including documenta 5 (1972),
documenta 6 (1977), documenta 7 (1982), Kassel, and 40th Venice Biennale
(1982). Her work has also been presented in such major survey shows as
1965-1975:
Reconsidering the Object of Art, Museum of Contemporary Art, Los Angeles
(1995); and Die Epoche der Moderne: Kunst im 20. Jahrhundert, Martin Gropius
Bau, Berlin (1997). Darboven’s first solo exhibition with Leo Castelli Gallery,
New York, was in 1973. Recent solo exhibitions include Hanne Darboven: Evolution
Leibniz, 1986, Sprengel Museum Hannover (1996); Hanne Darboven: Kulturgeschichte,
1880-1983, Dia Center for the Arts, New York (1996-97); Hanne Darboven:
Kinder dieser Welt, Staatsgalerie Stuttgart (1997); Stone of wisdom/ Stein
der weisen 1996, Sperone Westwater, New York (1998); and Hanne Darboven:
Menschen und Landschaften, Hallen für Neue Kunst, Schaffhausen (1999).
Education
1965 Hochschule für bildende Künste, Hamburg
Selected Further Reading
Hallen
für Neue Kunst, Schaffhausen, Germany. Hanne Darboven: Menschen und Landschaften
(1999). Exhibition catalogue.
Dia Center for the
Arts, New York. Hanne Darboven: Kulturgeschichte 1880-1983 (1996). Exhibition
brochure, text by Lynne Cooke.
Goethe-Institut, London,
and Ostfildern, Germany. Hanne Darboven. Konstruiert, Literarisch, Musikalisch/
Constructed, Literary, Musical: The Sculpting of Time (1994). Exhibition
catalogue, text by Ingrid Burgbacher-Krupka, including an interview with
the artist.
Deichtorhallen Hamburg,
Germany. Hanne Darboven: Die Geflügelte Erde, Requiem (1991). Exhibition
catalogue.
Bruggen, Coosje van.
“Today Crossed Out.” In Hanne Darboven: Urzeit/ Uhrzeit. New York: Rizzoli
International Publications, Inc., 1990.
Selected Links
www.diacenter.org/exhibs/darboven/project/
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