Somewhere Else
employs the visual language of documentary film, video surveillance, and
mass-media news photography to investigate psychological and political
conflict in Northern Ireland. Doherty uses such techniques to draw
attention to the ways in which the media constructs and influences our
perception of places, people, and events. His film techniques are brought
to bear on borderlands in his immediate environs: bucolic landscapes
scarred by the remnants of military demarcations, outskirts of corroded
urban areas, the sea lapping at land’s edge. The installation of this
four-part video projection is configured in such a way that the viewer
cannot see the entire piece simultaneously from a single vantage point.
This arrangement refers physically and metaphorically to the existence of
multiple, and even antagonistic, viewpoints in Doherty’s native Derry. |
Willie
Doherty’s photographs and video installations have been shown extensively
in group exhibitions throughout Europe since the early 1980s. These include
NowHere, Louisiana Museum of Modern Art, Humlebæk, and Face à l’Histoire
1933-1996, Centre Georges Pompidou, Paris (1996); no place (like
home),
Walker Art Center, Minneapolis, Minnesota (1997); and Wounds: Between Democracy
and Redemption in Contemporary Art, Moderna Museet, Stockholm, and Art from
the UK (Part II), Sammlung Goetz, Munich (1998). Solo exhibitions of Doherty’s
work have been presented at Matt’s Gallery, London (1990); Third Eye
Centre,
Glasgow (1991); Grey Art Gallery and Study Center, New York Univer-sity
(1993Ð94); Alexander and Bonin, New York, Musée d’Art Moderne de la Ville
de Paris, Kunsthalle Bern, and Kunstverein München, Munich (1996); Berwick
Gymnasium Gallery, Berwick-upon-Tweed, and Le Magasin, Grenoble (1997-98);
Tate Gallery Liverpool (1998); and Museum of Modern Art, Oxford, and Renaissance
Society at the University of Chicago (1999).
Education
1981 Ulster Polytechnic, Belfast, B.A.
Selected Further
Reading
Tate Gallery Liverpool, England. Willie Doherty: Somewhere Else (1998).
Exhibition catalogue, texts by Camilla Jackson and Ian Hunt.
Firstsite, Colchester,
England; Matt’s Gallery, London; and Orchard Gallery, Derry, Northern
Ireland. Willie Doherty: same old story (1997). Exhibition catalogue.
Kunsthalle Bern, Switzerland.
Willie Doherty: In the Dark. Projected Works (1996). Exhibition catalogue,
texts by Carolyn Christov-Bakargiev and Ulrich Loock.
Douglas Hyde Gallery,
Dublin; Grey Art Gallery and Study Center, New York University, New York;
Matt’s Gallery, London. Willie Doherty (1993). Exhibition catalogue, text
by Dan Cameron.
Ffotogallery, Cardiff,
Wales; Orchard Gallery, Derry, Northern Ireland; Third Eye Centre, Glasgow,
Scotland. Willie Doherty: Unknown Depths (1990). Exhibition catalogue,
text by Jean Fisher.
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