Olafur Eliasson’s
materials are elemental and ephemeral: light, heat, moisture, steam, and
ice are manipulated by the artist towards aesthetic ends and in response
to a specific site. His work navigates a space between nature and
technology, the organic and the industrial. Your natural denudation
inverted uses steam, which is a natural phenomenon in his ancestral
homeland of Iceland but is here piped from the museum’s heating system
to imitate a natural geyser. The components of Elaisson’s piece, which
include steel scaffolding, industrially produced steam, and a constructed
container of water, create an experience that is at once physical,
sensory, and emotional.

Olafur Eliasson, Your natural denudation
inverted, 1999, scaffold, wood, rubber, water, steam, 8 x 48 x 83 ft.
(installation view)
Olafur Eliasson
responds to questions in the Artists
of the Week section of this site.
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Olafur
Eliasson’s installations have been presented in many international exhibitions
since 1989, including Manifesta 1, Rotterdam (1996); Trade Routes: History
and Geography. 2nd Johannesburg Biennale and 5th International Istanbul
Biennial (1997); Sydney Biennial and XXIV Bienal de São Paulo
(1998); and
48th Venice Biennale (1999). His photographs were shown in Sightings:
New
Photographic Art, Institute of Contemporary Art, London, and New Photography
14, Museum of Modern Art, New York (1998). Solo exhibitions of his work
were presented at neugerreimschneider, Berlin (1995); Kunstmuseet, Malmö
(1996); Kunsthalle Basel (1997); Kjarvalstadir Museum, Reykjavik, Galerie
für Zeitgenössiche Kunst, Leipzig, and Bonakdar Jancou Gallery, New York
(1998); and De Appel Foundation, Amsterdam, and Irish Museum of Modern Art,
Dublin (1999).
Education
1989-95 Royal Academy of Arts, Copenhagen
Selected Further
Reading
Miles, Christopher. “Olafur Eliasson.” Artforum 37, no. 7 (March 1999):
119.
Haye, Christian.
“The
Iceman Cometh.” Frieze, no. 40 (May 1998): 62-65.
Birnbaum, Daniel.
“Openings: Olafur Eliasson.” Artforum 36, no. 8 (April 1998):
106-107.
Kunsthalle Basel,
Switzerland. Olafur Eliasson (1997). Exhibition catalogue, texts by Jonathan
Crary and Madeleine Schuppli.
Bonami, Francesco.
“Psychological Atmospheres.” Siksi 12, no. 3 (fall 1997):
49-55.
Selected Links
www.uol.com.br/bienal/24bienal/nac/enacdinelia01.htm
www.moma.org/exhibitions/newphoto14/olafur_eliasson.html
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