Signer’s
"action sculptures" involve setting up, carrying out, and
recording "experiments" or events that bear aesthetic results.
Following carefully planned and strictly executed and documented
procedures, the artist enacts and records such acts as explosions,
collisions, and the projection of objects through space. Video works like
Stiefel mit Rakete (Boot with Rocket) are integral to Signer’s
performances, capturing the original setup of materials that self-destruct
in the process of creating an emotionally and visually compelling event.
Signer gives a humorous twist to the concept of cause and effect and to
the traditional scientific method of experimentation and discovery, taking
on the self-evidence of scientific logic as an artistic challenge. |
Roman
Signer’s exhibition history includes over twenty-five years of gallery and
museum shows throughout Europe and the United States. His work was featured
in 37th Venice Biennale (1976) and documenta 8, Kassel (1987) and in group
exhibitions such as A Swiss Dialectic, Renaissance Society at the University
of Chicago (1991); Voorwerk 3, Witte de With, Rotterdam (1992); Heart of
Darkness, Kröller-Müller Museum, Otterlo (1994); Self-Construction, Museum
moderner Kunst Stiftung Ludwig, Vienna, and Shift, De Appel Foundation,
Amsterdam (1995); Wunschmaschine Welterfindung, Kunsthalle Wien, Vienna,
and Model Home, Clocktower Gallery, New York (1996); Sculpture. Projects
in Münster
1997, Westfälisches Landesmuseum (1997); Unfinished History,
Walker Art Center, Minneapolis, Minnesota (1998); and The Sultan’s Pool,
Art Focus, Jerusalem, Panorama 2000, Centraal Museum, Utrecht, and Provisorium
I, Bonnefantenmuseum, Maastricht (1999). Solo exhibitions of Signer’s work
have been presented at Kunstmuseum Winterthur (1983); Kunsthalle, St.
Gallen,
Switzerland (1988); Creux de l’Enfer, Centre d’art
contemporain, Thiers,
and FRI-ART, Centre d’art contemporain, Fribourg (1992); St. Gallen
Kunstmuseum,
Switzerland (1993); Künstlerhaus, Bremen (1995); Galerie Hauser & Wirth,
Zurich (1997, 1999); and Secession, Vienna, and Bonnefantenmuseum, Maastricht
(1999).
Education
1966 Schule für Gestaltung, Zurich
1969-71 Schule für
Gestaltung, Lucerne
1971-72 Academy of
Fine Arts, Warsaw
Selected Further
Reading
Swiss Pavilion. Roman Signer. 48th Venice Biennale (1999). Exhibition
catalogue.
Westfälisches Landesmuseum, Münster
, Germany. Sculpture. Projects in Münster 1997 (1997). Exhibition
catalogue, text by Susanne Jacob.
Moore College of Art
and Design, Philadelphia. Roman Signer: Works (1997). Exhibition catalogue,
texts by Elsa Longhauser, Bice Curiger, Max Wechsler, Kristine Stiles,
and William Horrigan.
Parkett, no. 45 (1995).
Collaboration Roman Signer: Konrad Bitterli, Colin de Land, Christoph
Doswald, Jean-Yves Jouannais, Pia Viewing, and Max Wechsler.
Kunstverein St. Gallen
im Kunstmuseum, St. Gallen, Switzerland. Roman Signer: Sculpture (1991).
Exhibition catalogue, texts by Konrad Bitterli, Roland Wäspe, and Lutz
Tittel.
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